Images: Sculptures by Philip Rattner, The Rattner Museum
Our story begins with a demographic problem in Egypt. The minorities are having too many babies. Something has to be done about them before they become a security problem. So the king gets Congress to take away their driver’s licenses, deprive them of health care, and make them clean office buildings for minimum wage with no benefits.
But you know how those people are. They’ll work three jobs if they have to. The Hebrew people survive and keep on breeding. So the king orders two of their midwives to smother male infants right after they’re delivered. They say, “Yes, Sir!” (he was the king, after all), but they know they’re not going to do it. And they don’t.
When Pharaoh finds out, he calls them on the carpet. They wiggle out of it by telling him with straight faces that Hebrew women are prodigious earth mothers who have fast deliveries, so the midwives never get there in time.
When the king realizes that they’ve been scamming him, he adopts a more straightforward strategy. He has his minions throw the boys into the Nile. As it turns out, this is a badly flawed approach to the problem. He makes two huge mistakes—he underestimates women, and he messes with a river.
You don’t mess with water. You don’t foul it with death. Water is life, it nourishes, cleanses and renews. It also kills, of course; but unlike kings, it never kills for ambition, security, or sport. If you defile a great body of water, it’s bound to come back to haunt you. Somewhere, somehow, you’ll pay a price. And when water turns on you, it won’t be impressed that you’re a king.
No, you don’t mess with water. And that’s just Pharaoh’s first mistake. He also underestimates women.
It seemed so self –evident: get rid of the males and there’ll be no one to father new baby Hebrews. No more babies, and it’s the end of the line. And while you’re waiting for the genocide to run its course, you’ll only have to deal with girls. And girls are not a threat. The thought of girls won’t prevent you from sleeping soundly behind your walls.
See what I mean? Pharaoh fails to take into account some important facts. Fact: girls grow up to be women. Fact: women tend to outlast you. Fact: at some point women will put their foot down. They will not join your procession to the grave.
Sick of being hemmed in and pushed around, repulsed by casual violence in the name of order, power, principle and pride, they will finally refuse to budge. “Not our babies!” they’ll say. “Not our people! Not our future!” If Pharaoh had half a brain, he’d leave the boys alone and go after the girls.
But he can’t imagine women thwarting his plan. He can’t imagine midwives inventing a way to bamboozle him. He can’t imagine that at least one mother of one Hebrew baby boy might rummage through her closet and come up with a basket, line it with pitch, test it on the water to see if it will hold him, then hide the basket in the reeds. It’s a measure of how little he knows about women that Pharaoh can’t imagine at least one mother giving that basket trick a try, one mother trying something, anything, to preserve her child.
No, he doesn’t know much about women. Or water, either. He doesn’t take into account that even clogged with blood, rivers still hold things up, still carry things along, even fragile things like a little ark, a bobbing basket with its tarred-over bottom and tucked-away child.
He doesn’t take into account that even sullied and sinned against, a river still attracts bathers. So he can’t imagine that a woman wading womb-deep in the current—his own daughter—will not be able to resist the whimper of even a foreign baby adrift. He can’t imagine that in the reeds on the bank, a guardian and a watcher will crouch, a big sister, Miriam: a quick thinker and a fast runner; a girl with patience and a plan and the nerve to see it through.
If Pharaoh were a man of imagination, if he were wiser about women and water, he might realize that, sooner or later, a floating Hebrew baby boy, snatched by women from the water, will grow up to be a Moses, and that such a Moses will make him let the people go.
He might see that one day this Moses will extend an arm, and there will be a wall of water on the left, another on the right, and a dry seabed in-between where an oppressed people will get to the bottom of things and find their way to freedom. He might see that sooner or later a terrible trap will spring, and that his mighty, mindless army will wash up lifeless on the shore.
But pharaohs don’t usually have much imagination. And so this king doesn’t know that women and water will have the last laugh and the last word, and that while he presides over a drowned army, that baby’s sister will improvise again, this time on her tambourine. Master only of broken chariots, on the far shore he will watch Miriam do her dance and sing her victory song: “Sing to God all the earth! Sing to God a fresh song. God does marvels for us! Horse and rider God throws into the sea!”
Poor Pharaoh. He should never have messed with the water and he should have got rid of the girls.
Well, that’s it—the story of a king disposed to violence to solve a dilemma. It’s what happened to him for ignoring the rules of water and for taking women for granted, not factoring them into his plan. It’s a story about Moses, too, of course, and about God who directed the whole drama from backstage.
But mostly it’s about what happened when an impromptu conspiracy of women decided that enough was enough. It’s about what happened when they decided that there’s never anything to be gained by standing around wringing your hands and cursing fate. It’s about the risks they took to assure a future, not just for a boy named Moses, but for a whole people; and, you could say, also for us. And it’s a good story for celebrating the gifts and courage of the Bible’s women, and of all women everywhere.
But you don’t have to be a woman to have this story be about you. This could be anybody’s story. It might be yours, for example, if you understand that Egypt is not some strange land far away, and that what goes on there has something to do with you. It’s yours if you know that Egypt is every place where tyrants large and small oppress human bodies and human spirits so that the powerful can hold onto what they’ve got, acquire even more, and sleep peacefully at night.
It’s your story if you decide that enough is enough and put your foot down, if you resolve to try something, anything, to save a life, and not just your own.
It’s your story if you are clever enough, determined enough, cheeky enough, angry enough to devise delaying tactics against injustice; if you decide to join the small persistent band of God’s beloved who lie awake at night, thinking up ways to bamboozle the king.
It’s a story about you if against indifference and despair, you have chosen to be a launcher of life; if every day you float a frail hope for the future on the vast waters of the world’s pain; if you discipline yourself out of love to wait and watch and pray until, against the odds, all those small hopes in all those little baskets come back, grown strong to liberate and save. Because they will come back. They will.
You don’t have to be a woman for this story to be yours. It’s already yours if you have ever had some mindless army breathing down your neck—some sin against you, some sorrow out of control, some intimate danger in your hurt or hollow heart, and you thought that the only way out was to curl up and give in, neither asking nor expecting mercy. It’s your story if, against everything your frightened heart hoped for, the waters you were sure would drown you pulled back and let you through, and you found yourself finally at the bottom of things, on a seabed path to freedom.
It’s a story about you if you’re tempted to think that you can’t make it through another day, not another step: I’m telling you, this story is about you, and for you it can end well. You can see the break of day from a safe and lovely shore. You will see that day, the day of God’s victory. And when you do, out of your mouth a fresh song will come: ” God has done marvels for me: horse and chariot he has tossed into the sea!”
No, you don’t have to be a woman to sing that song. You only have to believe that it’s wrong to foul life’s strong currents with death for the sake of something as insubstantial as undisturbed sleep behind a guarded wall.
You only have to believe that it’s unspeakably wasteful to stand by wringing your hands while a procession to the grave goes by, day after hopeless day.
You only have to decide that sticking your neck out to try something, anything, to halt that appalling parade won’t finally destroy you, even if you fail, even if you lose your life. You have only to understand that it is doing nothing that will destroy you. Doing nothing will destroy us all.
No, we don’t have to be women to sing that victory song; to have, like Miriam, the last laugh and the last word. But we do have to believe that no matter which pharoah and which army is arrayed against us—the big questions of justice and peace, the ordinary hardships of life, the misunderstanding or malice of others, the illness or grief we did not cause or want and cannot fix, or the self-defeating troubles of our own making—no matter the tyranny threatening our hearts, we are never adrift with no one watching.
Someone who once launched us like a faint dream on a great river is keeping track of us, the same Someone who will, like a woman, know how to seize just the right moment to reach for us, and save.